002 - Setting up Logic Pro for using virtual instruments and configuring MIDI controllers
003 - Using the exercise files
004 - Getting started with the ES M
005 - Understanding the signal flow of the ES M
007 - Tone shaping with the lowpass filter
008 - Using the volume controls
009 - Using the Filter envelope to adjust cutoff
011 - Getting started with the ES E
012 - Understanding the signal flow of the ES E
014 - Using the Vibrato_PWM dial
015 - Using the ES E lowpass filter
016 - Shaping the amplitude with the Attack and Release envelope
017 - Shaping the filter with the Attack and Release envelope
018 - Using the Chorus and Ensemble settings
020 - Getting started with the ES P
021 - Understanding the signal flow of the ES P
022 - Balancing the oscillator levels
023 - Enabling key follow on the filter
024 - Shaping the volume with the ADSR
025 - Modulating the cutoff with the ADSR
026 - Using the Vibrato_Wah control
027 - Tweaking the Overdrive and Chorus settings
029 - Getting started with the ES1
030 - Exploring the signal flow of the ES1
031 - Using the oscillator and sub-oscillator
033 - Using key follow on the cutoff
034 - Exploring the amplifier section and ADSR
035 - Modulating the cutoff with ADSR
036 - Creating movement with the LFO
037 - Using the Modulation envelope to add contour
038 - Using the Glide and the Global Voices settings
039 - Using the side chain input and LFO external feature
041 - Getting started with EFM1
042 - FM synthesis basics and signal flow
043 - Setting the carrier pitch
044 - Changing timbre with the modulator
045 - Using the volume and modulation envelope to shape the sound
046 - Adding movement with the LFO
047 - Using unison, detune and sub osc for thick sounds
048 - Randomize, do you feel lucky today
049 - Assigning MIDI controls to FM
051 - Getting Started with EVOC 20
052 - Vocoding Basics - Making your synth sing!
053 - Exploring the synthesis section
054 - Managing the Global voice settings
055 - Using the filterbank section to shape the vocoded sounds
056 - Tweaking the formants and adding movement with the LFOs
057 - Getting more intelligible results with U_V detection
058 - Making your beats melodic - vocoding drums
059 - Composing with the EVOC 20
060 - Getting Started with ES2
061 - Exploring the ES2 Oscillators and Mix Triangle
062 - Tweaking the ES2 filters to shape expressive sounds
064 - Understanding the amplifier effects
065 - Bringing life to ES2 with the modulation router
066 - Creating rhythmic movement with the LFOs
067 - Using the 3 envelopes to give shape to your sounds
068 - Create evolving sounds with basic vector modulation
069 - Looping with the vector envelope
070 - Voice parameters and global settings
071 - Making changes to your macro and MIDI controls
073 - Getting Started with EXS24
074 - Create your own sample instruments the easy way
075 - Exploring single zone sample instruments
076 - Creating multiple zone instruments
077 - Adding dynamics with velocity layers
078 - Organizing zones with groups
079 - Advanced zone editing and looping
080 - Using the filter section to shape your sampled sounds
081 - Using transpose and glide to add expression to EXS24
082 - Adding life and expression with the modulation
083 - Further shaping with the envelopes
084 - Adjusting Global voice settings
085 - Composing with the EXS24
086 - Getting started with EVB3
087 - Synthesizing with the Drawbars
088 - Utilizing the Preset Keys and Morph Wheel
089 - Adding Vibrato and Percussion Parameters
090 - Customizing the Pitch and Condition Parameters
091 - Adjusting the Organ and Sustain Parameters
093 - Modulating sound with the Leslie Rotor Cabinet
094 - Setting the extended parameters
096 - Getting Started with EVP88
098 - Adjusting the model parameters
099 - Setting the tuning parameters
100 - Adding effects to thicken the sound
102 - Getting Started with EVD6
103 - Choosing the instrument model
104 - Customizing the string parameters
105 - Adjusting pickup configuration and position
108 - Getting Started with Sculpture
109 - Setting the string characteristics with the Material Pad
110 - Exciting the string with objects
111 - Adjusting the Pickups and Global Voice Settings
112 - Shaping sound with the Amp Envelope
113 - Saturating sound with the Wave Shaper
114 - Sculpting with the filter
115 - Adding depth to the stereo delay
116 - Understanding the Body EQ
117 - Modulating with the LFOs
118 - Using the Vibrato, Velocity and Controllers
119 - Introducing the Control Envelope
120 - Looping with the Control Envelopes
121 - Transitioning between settings the Morph Pad
122 - Employing the Morph Envelope
123 - Composing with Sculpture
124 - Getting started with Ultrabeat
125 - Exploring the Assignment section
126 - Importing settings into Ultrabeat
127 - Synthesizing with Oscillator 2
128 - Using Oscillator 1 and the noise generator
129 - Shaping with the envelopes
130 - Filtering and setting distortion
131 - Adding movement with the LFOs
132 - Refining the sound with EQ in the Output section
134 - Synthesizing a snare drum
136 - Introduction to the step sequencer
137 - Sequencing in the step sequencer
138 - Working with the playback options
139 - Sequencing automation in Step Edit mode
140 - Utilizing the side chain
141 - Composing with Ultrabeat
142 - Introducing and composing with the Klopfgeist